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🛫 Onboard flight 1 of 2 for the day. Pilot warned it will be bumpy with the current winds in Hobart and Melbourne.

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🛫 Time to fly. Melbourne -> Hobart.

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🍿 MIFF number 12 was Crossing (2024) ★★½

A rectangular image with a review of the movie Crossing (2024). The movie poster is on the left and the review on the right side. Across the bottom is a rating of Poor Okay Good Great with Okay selected. The review reads: A fairly straightforward plot with a Georgian woman searching for her trans niece in Istanbul. As the film progresses Istanbul is shown as a city where you can disappear but also a city where you can be accepted for who you are, no matter your story. The film isn’t here to show Istanbul as a tourist destination, it moves through the back streets and narrow lanes as the search progresses. Three stories interwoven, the aunt, her unexpected companion, and the trans lawyer; each compassionate in their own way, each searching for something. Although a vibrant look at life and a very compassionate portrayal of the reality of life for the Istanbul trans community this just didn’t quite gel with me.
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🍷 When the apps call you out for visiting a lot of bars. I’m on holidays so 🤷🏻‍♂️

A screenshot of the Swarm app that says “Bar fly. That’s 10 different bars in the last month. Today, this sticker. Tomorrow… well… probably another bar. You thirsty little bar fly.”
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🍿 MIFF number 11 was All Shall Be Well (2024) ★★★½

A rectangular image with a review of the movie All Shall Be Well (2024). The movie poster is on the left and the review on the right side. Across the bottom is a rating of Poor Okay Good Great with Good selected. The review reads: The simple living of life by the older lesbian couple, Pat and Angie, is done in a lovely understated way at the start but ends with the death of Pat early in the film. With only Pat’s name on the deed to their apartment and no will, Angie suddenly experiences the legal and cultural barriers to same sex unions in Hong Kong. With Pat’s family inheriting the apartment, I wanted to dislike them for pushing Angie out of her home but it’s wrapped up in the context of the complex cultural and family traditions at play in Asian families. The film balances the selfishness of Pat’s family against Angie’s community of other lesbian couples, who provide the much needed emotional support to her, in a quiet but telling way.
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🎥 About to see my last two movies at the film festival. I think 18 was a good number spaced out across the 12 days. I’m reaching movie fatigue.

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🍿 MIFF number 10 was a wonderful look at Japanese listening cafes in A Century in Sound (2024) ★★★★

A rectangular image with a review of the movie A Century in Sound (2024). The movie poster is on the left and the review on the right side. Across the bottom is a rating of Poor Okay Good Great with Great selected. The review reads: The first three of a limited six part series exploring Japanese listening cafes/bars, with classical, Jazz and J-Rock covered. The episodes show the commitment to the listening experience, with the classical cafe no longer serving food so the noise didn’t distract from the music. The owners have spent a lifetime (or in the case of the classical one nearly 100 years by multiple generations of the family) building their record collections and personalising the audio equipment and even making their own speakers to suit the space. Each episode covers a part of Japanese history from the 1930s to the ‘90s through personal reflections of the owners and visitors, their passion for the music clearly evident. The storytelling with the music background was so intimate and almost reverent, you wanted to be in the bar sharing a drink with the owner.
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🍿 MIFF number nine was the wonderful Māori led feminist film We Were Dangerous (2024) ★★★★★

A rectangular image with a review of the movie We Were Dangerous (2024). The movie poster is on the left and the review on the right side. Across the bottom is a rating of Poor Okay Good Great with Great selected. The review reads: Coming in at 80 minutes this debut from Māori director Josephine Stewart-Te Whiu wastes no time in showing the white people know what’s best for you approach to colonisation, packaged with religious hypocrisy, will stumble when it meets teenage resilience and strong women. A perfect balance between the serious and the laughs in the unique way the kiwis blend them, with gorgeous cinematography and a superb cast.
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🍿 My eighth MIFF film was Rumours (2024) ★★½

A rectangular image with a review of the movie Rumours (2024). The movie poster is on the left and the review on the right side. Across the bottom is a rating of Poor Okay Good Great with Okay selected. The review reads: Aiming for satire, with the leaders of the G7 coming together to draft a communique before being cut off from the world. It mainly hits it thanks to some of the absurd scenes and the calibre of the cast as much as anything. Cate Blanchett channeling Angela Merkel and Charles Dance playing the US president with an English accent as they stumble through the woods looking for help; encountering a giant brain and masturbating bog people that literally explode. At two hours it would have benefited from some tighter editing. Something to catch on streaming rather than a cinema outing.
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🍿 My seventh MIFF film was Universal Language (2024) ★★★★

A rectangular image with a review of the movie Universal Language (2024). The movie poster is on the left and the review on the right side. Across the bottom is a rating of Poor Okay Good Great with Great selected. The review reads: The ‘80s Iranian cinema influences are strong with the framing of the beige dull brutalist buildings giving a Wes Anderson vibe. Wonderfully absurd in places, the offbeat humour of the first half dropped off in the last third. The different story threads came together at the end but the final part just seemed a tonal shift away from the rest.